Thursday, 30 August 2012

Musical Theatre: In the Spotlight


Musical theatre is a booming industry and shows like Glee have brought it even further into the spotlight of public attention. For me, nothing can compare to when you get chills, a totally subconscious and physical reaction to a brilliant performance. The exact ingredients that make that spine-tingling moment will always remain a mystery to me. Could it be that the music from the orchestra seems to swell and fill every inch of the theatre, the performer sings with note-perfect accuracy and gut-wrenching emotion, the visual spectacle, a moving storyline or a culmination of all of the above?
I love watching and performing in musicals as you can see by my stash of musical programs, though unfortunately for me, it is an expensive hobby to have! So luckily there are a number of musicals which have been translated onto the big screen (and vice versa). Musicals like Lion King, Mary Poppins, Hairspray and Mamma Mia enjoy great success both on film and on stage.

 

The first major production musical I remember seeing was The Phantom of the Opera with Anthony Warlow (an Australian musical theatre legend) as the title character. I know some musicologists question the originality of Andrew Lloyd Webber’s (the composer’s) melodies though it doesn’t alter the beauty of the songs and orchestrations, the spectacular set and a storyline that despite being overly dramatic has resonated with so many people. You wouldn’t believe it but The Phantom of the Opera has earned more money than both the hit movies Titanic and Avatar. Phantom has recently celebrated its 25th anniversary with an elaborate concert staged in London with successful up and coming musical theatre performers, Ramin Karimloo and Sierra Boggess as Phantom and the leading lady, Christine.


The Phantom of the Opera now has a sequel called Love Never Dies which is certainly a rare thing for musical theatre.
Another of my favourite musicals was Wicked, which branches off The Wizard of Oz and tells the story of the Wicked Witch of the West and Glinda before Dorothy landed in Oz. Wicked cleverly intertwines with The Wizard of Oz and portrays Elphaba (the Wicked Witch) as a misunderstood heroine as opposed to the evil villain. Since its first performance in 2003, Wicked has been immensely successful all over the world and seems to be a permanent fixture on Broadway and West End. I have been lucky enough to see it in Sydney and then on Broadway. I went into the Gershwin Theatre in New York with very high expectations and left feeling incredibly proud of the Australian performers. The Australian production of Wicked easily measured up and even surpassed the quality of performance on Broadway, the musical theatre capital of the world. Australian musical theatre is on a much smaller scale than in the US however perhaps this leads to increased competition to get into the shows and so creating very high quality performances.

On the wish list...
On the very top of the list of musicals that I would love to see is Les Miserables. I am quite sure the last time a professional production was in Australia was before I was born! So hopefully it will be gracing the Australian stages in the near future. In the meantime though, a movie musical adaptation by director Tom Hooper (The King’s Speech) is being released in December with a star studded cast including Hugh Jackman, Russel Crowe and Anne Hathaway. In addition, Samantha Barks is reprising her role as Eponine, a character she played on the West End stage. I was certainly relieved to see that they casted bona fide musical theatre stars (of which I include Hugh) alongside the Hollywood actors. In a musical like Les Miserables, having incredible acting ability isn’t enough, you have to be an amazing singer as well.



The musical theatre scene in Brisbane...
Brisbane performers are very lucky to have an opportunity to be involved with a range of musical theatre companies such as Harvest Rain, Ignatians and Savoyards. Harvest Rain only recently finished the first Brisbane production of Hairspray, Ignatians performed Sweeney Todd earlier this year at UQ’s Schonell Theatre and Savoyards is in the midst of rehearsing for Anything Goes after a successful season of Miss Saigon. While we do not have the gorgeous old theatres that you can see in Melbourne, there certainly is a wonderful musical theatre culture and appreciation is Brisbane.

If you are interested in watching some of the talented local performers on stage come and check out Savoyards’ production of Anything Goes.

 
 

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